posted 4 hours ago via batcii · © bathcrone with 804 notes
"[…] The Hour is a period television series predicated on the idea that the people who lived and breathed during the past were in fact people — that although the patriarchy had a profound effect on women it did not have the effect of entirely depersonalising them, of divesting them of their aspirations and their dreams, of divesting them of an internal life. The patriarchy did not and does not create women who care only about wallpaper and make-up; the patriarchy created (and creates) women whose only sphere of influence was over the appearance of their homes and their bodies, whose only modes of self-expression were the superficial, the ‘meaningless’.
In the fourth episode of the series Marnie argued with Hector about wallpaper not because she considers wallpaper so important in and of itself but for the same reason that armies will fight for years over a strip of land: because one concession leads to another — and she had already been forced to concede so much that wallpaper was all she had left to fight for."
Mary O’Donnell on The Hour (via bathcrone)

"My dear Jane!” exclaimed Elizabeth, "you are too good. Your sweetness and disinterestedness are really angelic; I do not know what to say to you. I feel as if I had never done you justice, or loved you as you deserve.”

asylum-art:

How to make clouds indoors: The art of Berndnaut Smilde

Of course, recreating a cloud and all the physical elements that go along with it is an act that requires meticulous planning entailing carefully controlling the temperature and humidity levels of the room, constantly moistening the air inside it and adjusting the lighting to create a dramatic and realistic effect. When the room conditions are ideal, a fog machine unleashes a dense mist that appears heavy and damp, just like a real life raincloud. Floating proudly in the middle of the oddest of spaces, they last for only a few brief moments before dissipating into thin air.

In fact, very few people have actually seen Berndnaut Smilde's work in person. As short-lived as a summer storm, his whimsical clouds live only to exist in photographic form. Somewhere in-between reality and representation, the beauty of a fleeting haze is captured on a print that becomes the only medium to prove that they ever in fact existed. Building on awe and disbelief, it is this highly ephemeral nature of theirs that makes them so special, as if they were another urban myth that one has yet to witness but still fervently believes.


"Bucky to me was always interesting because he stood out more clearly in terms of someone who had flaws. And though he was extremely loyal and very caretaking, and there were a lot of endearing qualities about him, that there were other things that like any muscle that you work out too much could sort of take over the rest. So, there were other things about him I was always hoping you could see in that first movie that if they sort of amplified that, that he could become something dangerous, necessarily so."

"Bucky to me was always interesting because he stood out more clearly in terms of someone who had flaws. And though he was extremely loyal and very caretaking, and there were a lot of endearing qualities about him, that there were other things that like any muscle that you work out too much could sort of take over the rest. So, there were other things about him I was always hoping you could see in that first movie that if they sort of amplified that, that he could become something dangerous, necessarily so."

posted 3 days ago via hiddlesy with 956 notes

To see the world, things dangerous to come to, to see behind walls, draw closer, to find each other, and to feel. That is the purpose of life.

marthajefferson:

glitter-of-jewelry:

Gold wreath of a Thracian aristocrat (ca. 4th century BCE) from Golyamata Mogila (Bulgaria)

marthajefferson:

glitter-of-jewelry:

Gold wreath of a Thracian aristocrat (ca. 4th century BCE) from Golyamata Mogila (Bulgaria)

thewicked-eternity